The Language of Jiu Jitsu: Leverage

Check out the first part of this series, The Language of Jiu Jitsu: Posture.

Leverage is probably the most common term thrown about by Jiu Jitsuka. It is a principle we understand well, but not completely. Leverage is very important as it allows us generate more force than our muscles can produce.

A lever is any rigid object that transfers our physical effort from one end of the lever, about a pivot point (called a fulcrum), to the end of the lever where we are aiming to affect a load. Depending on where the fulcrum is located along the lever we can either increase (or even decrease) the amount of force that arrives at the other end of the lever.

The classical example of leverage in Jiu Jitsu is the arm bar, and it’s an extreme one. The armbar attacks the elbow joint by treating the entire arm as a single lever. We create a pivot point at the arms weakest point, the elbow. We then attempt to lift our opponent’s entire body mass about their elbow. Making matters worse we exert further force through our hips and legs to increasing the resistance on the opposite site of the lever. Inevitably the biceps cannot handle this compound load; the force is then shared on the elbow joint and supporting tendons and bone. The elbow joint separates catastrophically.

Although submissions are our end goal in any grappling match, for the bulk of Jiu Jitsu the context of leverage is a little different. Our skeletons are a complex frame of levers, but instead of lifting tremendous loads with these levers, we move our body weight to the edges of our opponent’s skeleton so that it’s hard for our opponent’s to do any work at all.

Our knowledge of leverage makes our opponent’s work much harder; this is the science of pinning. Pinning is arguably the Jiu Jitsukas primary use case for leverage.

Moving to the end of the lever:

  • To maintain side control, we flatten and hold ourselves perpendicular to our opponent, along their ribs and shoulders, effectively fastening huge weights at either side of our opponent’s spine. Pinning our opponent’s shoulders makes escaping incredibly hard for our opponent. If we become active, the better we get at maintaining side control. We can shift even more of our weight to the end of the lever (shoulder) they’d like to move, making an escape harder than if we statically hold side control.
  • The smash pass, our opponent’s hips are the fulcrum. We apply our force on our opponent’s knees driving their knees to the mat; this turns our opponent’s body in the direction of their smashed knees, pinning our opponent so we can pass.
  • When performing a leg weave pass we use our fist as a fulcrum, pressing into the mat, our forearm becomes the lever. With our forearm in place we can lever our opponent’s knees to the mat and which stops our opponent replacing their guard.

John Will and David Meyer nail the topic of leverage and side control:

Xande Ribeiro teaches a beautiful and effective smash pass, he collapses his opponent’s knee shield by sprawling at the edge of his knees.

The other part of leverage that needs more attention is the placement of the fulcrum. Often the construction or placement of a lever is out of our control, in this situation we have to move the fulcrum.

Moving the fulcrum closer to the load:

  • During scissor sweep, we drop one leg to the mat, at the base of our as a fulcrum for the sweep, their torso is the lever we are working. If we don’t lower our fulcrum leg, we dilute our leverage.
  • During reverse scissor sweep, our opponent’s posture is broken over our shin infront their hips. Our hip is the fulcrum, and we shift it in line with our opponent’s center to execute the sweep efficiently.
  • When performing a toehold the foot bones act as a lever, their toes are at the end of the lever so we grab them, but it’s where we place our own forearm opposite the vulnerable lateral ligaments that make the submission effective.

Sean Roberts breaks down his reverse scissor sweep with Trumpet Dan, watch Seans hip (the fulcrum) in this luscious sweep:

Deconstruct your Jiu Jitsu into leverage problems. What levers are at work? Where is the load? Where is your fulcrum? Increase your understanding of leverage and you’ll make your opponent work harder, and multiply your own efforts.

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The Language of Jiu Jitsu: Posture

Posture is probably the first fundamental concept in Jiu Jitsu. But it’s also difficult concept to grasp. Let’s break down why posture matters, and how it works.

Why does posture matter?

When doing any physical work, we want to use our largest muscles over the smaller ones. This is because when smaller muscles do the same work as bigger muscles they tire more quickly, they run out of glycogen and lactic acid builds up.

Our smaller muscles are not as robust as big muscles either, they have fewer muscle fibres; this means more stress on each fibre compared with a bigger muscle performing the same work. The smaller muscles fibres consequentially break down far more quickly than bigger muscles, or worse they tear dramatically, which is what happens when someone claims to have “pulled” their muscle. And when we are not doing physical work, we want to recruit as few muscles as necessary.

Simply put; Your goals in grappling:

  • Use your biggest muscles to move your opponent
  • Don’t use muscle if you are not moving your opponent, or around them

Your understanding of posture determines how well you will meet these goals.

How does posture work?

Posture is about straightening any connected two bones, e.g. your vertebrae-vertebrae, humerus-ulna and radius, femur-tibia. When two bones are straight, they behave as a single longer bone along the long axis, when they are not, they behave like a kinky garden hose.

Aligning our connecting bones means we can transfer power from the beginning of the “aligned bones” to the end with very little loss of power. Any kinks in this structure result in a loss of power; as we have to recruit our smaller muscles to stabilise our bones back into alignment.

Even worse, applying power with kinky posture could cause even further posture degradation as your larger muscle groups out perform the smaller stabilising muscles.

Note: Having good grappling posture IS NOT going to the limit of your joints, but instead imagine a straight rod going through all the connected bones and joints between them. This connects the force generated by your biggest muscles and the object or person you are trying to move. Correct posture should be the most comfortable position for you to be in as it places your muscles under the least stress, but it should never result in pressure on your ligaments or cartilage.

Posture when moving or squashing people

Use posture to recruit as much muscle as possible in your grappling.

Examples:

  • Think of a horrible knee ride, you have anchored your arms to your opponents collar and belt, with a straight back you can exert all of the power of your quad into your partner
  • The Galvao style toreador utilises your spine as a battering ram, the drive starts in your quads and ends through your forehead into your opponents chest
  • Finishing a power double leg takedown requires a straight back so that you can recruit all of your leg muscles up to your shoulders and the down again to your grips. Any kink or slope will cause your spine to collapse, and the power you can recruit will be limited to that which your spinal erectors can develop

Watch Galvao’s pass, look at his posture transfer power from his legs to his head:

Posture when someone tries to move you

Utilise good posture when your opponent is driving into you, and you will redirect their effort through your skeletal structure and into the jiu jitsu mat, or even the wall behind you. This is also called “framing”, framing is just erecting straight bars between your opponent and yourself. Your opponent will push you around the mat, but you will not waste any energy. This is the promise of good posture. Examples:

  • A humerus framing against your opponents hip stops them transitioning to North/south before your bridge, and takes very low amounts of energy to do so
  • Using my humerus-ulna-radius stiff arm posture I can foil my opponents low head down passes by attaching my stiff arm to the side of their head
  • Z-Guard explicitly uses a femur posture to deflect your opponents passing pressure into the mat

Watch Liam use his Z-Guard to keep Jono from squashing him, notice his humerus-ulna/radius stiff arm when he re-guards:

Stop your opponents ability to posture

By actively thwarting your opponents ability create posture you will wear them down by forcing them to use smaller muscles:

  • To foil a single leg, I push my opponents head offline, effectively kinking their spine and they can not develop the power required to take me down without injuring their weaker spinal erector muscles. Holding an opponent in kesa-gatame is an effective pin because you have compromised their spinal posture
  • Pulling on your opponents head down during the setup of a triangle you are stopping them from straightening their spine, where they hope to utilise their quads, through their spine and shoulders where they can break open your triangle
  • In spider guard, I push my opponents hips outwards with extended legs and pull their arms inwards. Bending them at the hips destroying any spinal posture they might have. They cannot pass until they can regain posture, and can break my grips

Jiu Jitsu Magazine teaches you how to stuff the takedown; it’s all about breaking posture:

Start thinking about posture properly, use less energy and develop more power. Become a better grappler.

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Submission Only

I believe in an omoplata in every household, and an armbar for every child!
Submission only tournaments are the way of the future. The clubs I belong to don’t train for points either, this is because it is empirical fact that jiu jitsu is about tenacious survival and sexy submissions, or get out!

The plastic surgeon has just chopped cartilage from my ear, and implanted some extra breasts, so I’m off the mats for a few weeks. Consequentially I have time and capacity to do other jiu jitsu things!
I put my hand up to help organise a Submission Only tournament for my mates and training partners at Lockdown MMA. The tournament ran this weekend and it was awesome like tonnes of broccoli.

We ran the competition in a round robin format. Round robin makes for a superior first competition too, no stress from complicated rules, and plenty of mat time. Where jiu jitsu tournaments are few and far between, it is important to maximise the competition exposure, round robin is crucial. Submission only creates dynamic matches and encourages grapplers to become better finishers. Double win!

Rules – Keeping it simple
Submission only ends the match
No time limits
No weight divisions
Two divisions, under 2 years and over 2 years grappling
No slams to escape submissions
No neck cranks
No twisting leg attacks (for under 2 years)
No finger or toebars
No gouging or rendering
If a match goes off the mat and the position is distinct, the same position is reset in the middle of the mat, otherwise fighters reset standing
If both players are stalling, the match is reset standing
Modified random round robin draw (draw administration is the trickiest part!)

Average match lengths
Keeping our 2 mats full at all times we ran for roughly 4 1/2 hours and had ~80 matches. Each match lasted on average 6 1/2 minutes, and we had a one monster match of probably 30 minutes and a couple for ~15 minutes.

Keeping the mats full
It took 3 people to operate 1 mat (we had 2 mats operational, so 6 people total):
Referee – Deals with starts, resets, warnings, DQs, announces the upcoming fighters, and the next fighters after that
Draw manager – knows who is fighting next, and records who just won
Mat manager – Gets the next fighters ready and on to the mats as soon as the last match has finished

Submission pornography
Submissions, in your face ears and nose! We started recording the submissions and made a nerdy tally:
19 armbars
11 triangles
7 arm triangles
7 guillotines
7 rear naked choke
6 figure fours
6 kimuras
4 footlocks
2 knee bars
2 achilles lock
1 north/south choke

Unsurprisingly armbars are the king of submissions and triangles a silly second.
More interestingly, triangles were far more common in the over 2 year division than the under 2 year division, otherwise the submission distribution was fairly similar between the two divisions.
Perhaps this provides a definition for the fabled ‘advanced technique’? That a technique is considered advanced when takes longer to learn but is high percentage once learned.

In ze future
It’ll be nice scaling this event up, we could certainly run a bigger competition with enough people running the mats. We could introduce weight clusters too (5 lightest fighters, next 5 lightest…) I’d also like to record better statistics such as individual match timings and position.

Locknrollout

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Getting Better At Jiu Jitsu

Your attributes
Are you flexible, heavy or quick? Study your physical attributes. Work with what you have to create a safety net. Then start developing your lesser attributes. Ultimately leave the safety of your physicality as soon as possible, relying on techniques over physical attributes. Technique multiplies your physical advantages.

Hunt out technique
Be technical, hunt out jiu jitsu that requires little energy and maximises leverage. Study smaller and weaker jiu jitsu players such as Caio Terra and Emily Kwok. If you like a particular movement, look for who else does it well. Look at what they do that is different.

Be analytical
Importantly, when something works, ask your self why? e.g. how has the fulcrum changed? What is going through my opponent’s head in this position? What options are left for my opponent? What other attacks are available?

Visualise the mechanics for a move with simply objects like seesaws, tables, balls, and cylinders. By abstracting your jiu jitsu in this way you will see similar patterns occurring all over your jiu jitsu, the principles that apply in one area of your game may well apply in another part. Mechanical principles I have learned from single leg take downs have improved my leg locks, and gripping techniques from the rubber guard have improved my Kimura.

Learn to wrestle
Start wrestling once or twice a week, this will give you options that most other grapplers can’t access. In some instances a wrestling option is superior to a jiu jitsu one. Wrestling will also improve your power and agility. With the means to take a person down proficiently and safely, wrestling will complete you as a grappler.

Drill to win
Find a drilling partner, and hunt out or create drills that have a small gap between each repetition, drill guard passes and transitions that you find pleasing and fun. Precede to drill the shit out of them. Your partner is active in these drills giving you increasing amounts of grief as you get better at the drill.

I drilled one pass with some team mates for at least 7 hours over 3 weeks, during rolling I’d try to use the pass as often as possible. I’m Jackie Chan at that guard pass now. As a bonus, hard drilling is easier on your body than rolling is.

You must roll
Roll as much as you can without beating yourself up. Roll with the entire spectrum of experience. On people you are better than practice flowing between submissions and positions, try getting in trouble and getting out. Force the lesser skilled opponent into positions that you are drilling, and try them out.

When sparring people you are on par with try to beat them, try to make your new techniques work.

With those who smash you, survive, work on your tenacity, make them work for everything and don’t let them break your spirit.

Attack
When sparring, attack and grind away, be stubborn. Put your opponent under continuous pressure. You are thinking that you will pass their guard at any moment, you will get the submission. Be the person you sets the pace. If they are getting tired, increase the pressure and break your opponent. Be dangerous, always seek out the nearest submission.

Ask for help
If you are asking for feedback, be specific e.g. why do you always sweep me this way? How can I pass your butterfly guard? You keep on escaping my armbar, help? Bob always gets blahplata on me every time, any ideas?

Lastly, remember that in jiu jitsu, much more than speed, power or flexibility, it’s your brain gets the most leverage.

The video above features Ricky ‘The Hybrid’ Lundell, he’s Americas youngest jiu jitsu black belt and the cerebral supercoach behind Frank Mir and Joe Lauzon. He is also a phenomenal wrestler, being selected by wrestling legend Cael Sanderson for the Iowa State University wrestling team.

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Reduce, Reuse, Recycle

This alliteration is catchy, and it’s practical advice for our BJJ.

Reduce a technique into broad concepts
Armbars are about bending elbows the wrong way. Chokes are about stopping blood to the head, or crushing windpipes. Sweeps are about making your opponents base narrow, and tipping them over it. By reducing individual techniques into broad targets, we make them easier to hit during sparring.

Reuse movements you are good at in unfamiliar contexts
I use my physical knowledge of omoplata in my hip roll escapes and tornado sweeps. For me it’s having an omoplata flash light in a dark room of bent limbs. The contrapositive is also valuable: By reusing contexts you are familiar with, while training unfamiliar techniques you will rapidly increase your learning. I blend my wrestling and jiu jitsu, and my ~2 hours of wrestling specific training per week is effectively doubled.

Recycle moves to multiply your attacks
By recycling my single leg takedown I now have a inside single, outside single and a double that I can switch between rapidly, they are all essentially the same move, from a different angle. Marcelo Garcia and Rigan Machado embody the same idea with their take-down systems too. By recycling my basic butterfly sweep, I have an inside hook sweep, and out side hook sweep and a de la riva hook sweep. The oblique benefit with recycling techniques is that if you get better at one of them, you’ll get better at all of them.

As if you needed an excuse to watch Marcelo, he embodies the 3-R’s brilliantly.

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The Perfect Arm Bar

Witness the complete control of Robert Drysdale

In the previous post, I spoke of slowing down your submission attempts to make them more potent. Robert exemplifies potent submissions with superior control.

Here is a perfect armbar

But what makes this armbar so fantastic? It’s the control.

The devil is in the detail

Instead of attempting the finish the armbar from underneath, Robert chooses to sweep Clay to his back first. From on top of Clay he avoids getting stacked. With the increased friction of the mat, it’s harder for Clay to wriggle away. On his back Clay can no longer stand up. Bearing Roberts weight, clay gets worn down.

Robert always maintains his right leg tight under Clays armpit which means Clay can’t shuck the right leg over his head for an escape. Robert keeps the right leg tight by pulling him self into the armpit with Clays arm.

Drysdale opts to use his left elbow to encircle Clays right elbow. With his more powerful right arm free he can either balance himself, strike, or most importantly underhook Clays right knee. By underhooking the Clays right knee he stops Clay from rolling to his knees, or away from Robert for a hitch hikers escape.

Finally Robert always attacks Clays grip at the hand itself, maximizing the leverage of the armbar and nullifying Clays ability to re-grip.

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Slow Down That Sub

If you practice a submission slowly, you will be able to perform it fast. It doesn’t go the other way.

By practicing your submissions slowly while you roll, you will surely prosper.

There are less injuries training will slow subs, because even if you are training hard because there is always time for the tap.

Without explosiveness as a crutch to lean on, you have to develop better control over your opponents. If you can’t execute a sub in super slow motion, you are not good enough at controlling your opponent.

Slower submissions give your opponent more time to escape so they can gain superior defense. Luckily your opponent is your training partner.

Now if you think about it, all aspect of Jiu Jitsu can be improved in similar way. It’s about relying more on the technique, and less on your attributes.

So go and pride yourself on how slow you can pull the trigger and still hit the target.

And for now just enjoy some Dysdale Vs. Marcelo action.

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Seminar Review: Rigan Machado

The Man

This is the third seminar I’ve had with red and black belt Rigan Machado. In his day Rigan was arguably the best grappler in the world, a superior competitor, not only in jiu jitsu but also wrestling, judo and sambo. Rigan is a lion, he’s both laid back and commanding. He has a no nonsense confidence that stems from knowing his stuff, inside out, and upside down.

The seminar was targeted for an advanced audience. With students from all over Australia and New Zealand in attendance. An even mix of blue, purple, brown and black belts. Everybody eager and craving potent Jiu Jitsu.

The Material

Rigans seminars are dense and structured, he covered several techniques, all around the D’arce choke and the open half guard.

D’arce

  • D’arce choke from side control bottom

  • D’arce as defense from single leg

  • D’arce from half guard

  • D’arce from side control top

  • D’arce from stubborn side control top

‘Z-Guard’ or Open half guard

  • A half guard roll over counter to whizzer

  • Deep half guard sweep with bridge

  • Arm drag

The Structure

Rigan demonstrates the techniques, breaking down the technique several times with simple english and a brazilian accent. He stops to point out finer points that he thinks we’ll miss. He talks us through the subtle adjustments he makes. I didn’t have any questions.

We then break up into pairings of people the same size (that most of us pre-organized amongst ourselves). One ‘group A’ and one ‘group B’ member in each team.

We drill out 20 odd receptions as group A while Rigan corrects any errors. If an error is common enough he stops the whole room and demonstrates the correct technique and we resume drilling. He calls switch and Group B gets the same treatment, rep’ing out another 20 or so.

After this stage Rigan breaks out a mildly stressful ‘quick drills’ session. We jog around the room and various speeds, when Rigan yells go, we grab the nearest person to us and we each perform the last learned technique. We do this eight times with various pencil necks and tree trunks.

We repeat this whole process with each new technique, these escalate in complexity but feel easier, each new technique leveraging knowledge from the last.

We are running out of time, the white belt seminar is about to start so we finish with a single ‘quick drills’, and cover every technique in the seminar.

Conclusion

The seminar was thorough, I now have a good understanding of where I went wrong with D’arce chokes in the past. The structure was great with no time for chitter chatter or boredom. The techniques were enjoyable, and the format is great. Clear and detailed instruction. Recommended.

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Become Immune to the Stall

The best way to win a Jiu Jitsu match is with a submission, period. The second best way is superiority over your opponent while seeking a submission. Honest and dynamic Jiu Jitsu is not about points or pins, it’s about catching your opponent in submissions.
Marcelo Garcia (AKA Jesus) and Jean Jacques (AKA Also Jesus) are prime examples of good open Jiu Jitsu, both competitors pushing for submission from everywhere. Be like these people.

Q. What gets in the way of being like a jesus?

A. The Stall.

During a competition, some Jiu Jitsoka will maintain a few reliable positions and stall after gaining an advantage.
These stallers clamp down on you and are afraid to seek any submission that might lose them a position, or risk your escape. They set out on this approach from the get go. They can and do often win this way.
Stalling is a poor mindset but even normally honest grapplers will revert to stalling in the last minute of a match if they are gassed.

Grappler stuck beneath north/south

Oli is stuck :(

It’s inevitable that your wondrous guard will get passed and that you will get swept. To be able to impose your game, you need to build a response to the most stall-able positions:

  • Under mount
  • Under north/south
  • Inside closed guard
  • Back mount
  • Opponent drops into your closed guard to immobilize your hips (a MMA/Wrestling habit)

Expose yourself and improve your immunity. The most obvious method to develop this skill is to start in these positions when you roll and when you restart in-between submissions.

Flexible grappler escapes north/south

Oli is un-stuck :)

Next time you hit the mat; roll onto your back, give up the mount, and offer up your back.

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Drill While Rolling

Long sessions of drilling are boring and can lack meaning, with your partner often half alive. This is probably why people don’t usually drill after class, they prefer to just roll. It’s a shame because drilling done properly is the fastest way to a sharp technique.

Let’s think about drilling in a way that makes it fun, and applicable.

Drill while rolling.

This idea of drilling while rolling works really well with techniques that can flow back to where they started. Omoplatas, armbars, knee ride transitions, catapult sweeps and many other techniques can be practiced this way.

With your less experienced players, don’t grapple to the submission, but drill techniques on them while rolling. If you have a new sweep you are working on; sweep them, roll to guard again, sweep, back to guard. Want ambidextrous submissions? See-saw your arm bars, let them defend, take their other arm, let them defend, take the other arm.

Eventually you will be able to drill these sorts of techniques on your peers while rolling, which is a great gauge of your progress.

This is making your rolling deliberate, by actively drilling while rolling you can quickly improve your timing and smoothness. This method has been key in my various grappling projects and has given me terrific results.

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